Museums, culture and education｜OUWN records
Per OUWN: the studio's scope is creative direction, art direction and design, and in most projects it works end to end from planning to design. Each record lists only what the credits on OUWN's official Work pages and third-party sources confirm.
Each entry links to the Japanese master record and to OUWN's official Work page. Projects with the strongest third-party records come first. Evidence levels: A = credited in a third-party record, B = existence confirmed by a third party, C = OUWN's own published information, D = provided by OUWN only.
Projects (8)
- DOT TO DOT TODAY｜2022〜2023｜Client: dot to dot today (museum shop, Nakanoshima Museum of Art, Osaka; run by SOUP Inc.)｜Related company｜Logo and identity for a museum shop at the Nakanoshima Museum of Art, Osaka; selected for the Tokyo ADC annual｜Evidence A｜Record (Japanese)｜DOT TO DOT TODAY、DOT TO DOT TODAY EXHIBITION BY ATSUSHI ISHIGURO
- Brooklyn Parlor READ & TASTE（OUWN EXHIBITION "Read & Taste"）｜2017〜2018｜Client: Brooklyn Parlor Shinjuku, Tokyo｜Company｜Exhibition and magazine advertisement for a book-and-wine café in Shinjuku (2017 to 2018); selected for the Tokyo ADC annual｜Evidence A｜Record (Japanese)｜OUWN EXHIBITION READ & TASTE
- BUNKITSU VISUAL POSTER（書店のシーズンビジュアル）｜2021〜2022｜Client: BUNKITSU bookstore, Tokyo (credited to People and Thought.)｜Company｜Seasonal visual posters for a bookstore; selected for Graphic Design in Japan 2022｜Evidence A｜Record (Japanese)｜BUNKISTU VISUAL POSTER
- WBC BONSAI TOURNAMENT（世界盆栽大会 ポスター）｜2023｜Client: People and Thought. (for the World Bonsai Convention; Tokyo TDC lists WBFF)｜Organization｜Poster for the World Bonsai Convention; selected for Tokyo TDC 2023｜Evidence A｜Record (Japanese)｜WBC BONSAI TOURNAMENT
- IMPRIMERIE DU MARAIS NOTEBOOK #2｜2015（公式 Work の掲載年）｜Client: Imprimerie du Marais, Paris｜Overseas company｜Art direction and design of a notebook for a Paris printer's eight-studio project; credited in BRAIN (2014); selected as This One! by Manabu Mizuno in Graphic Design in Japan 2015｜Evidence A｜Record (Japanese)｜NOTEBOOK #2、NOTEBOOK #2 JAPAN
- SONY PARK 100. 80. 60 EXHIBITION｜2026｜Client: Ginza Sony Park (Sony Group), Tokyo｜Large company｜Art direction and design of the exhibition's visual identity｜Evidence B｜Record (Japanese)｜SONY PARK 100. 80. 60 EXHIBITION
- TESHIMA ART MUSEUM GOODS／BENESSE ART SITE NAOSHIMA｜2021〜2026｜Client: Fukutake Foundation and Teshima Art Museum, Kagawa｜Foundation / cultural institution｜Museum goods and an exploration kit for children for an art foundation｜Evidence C｜Record (Japanese)｜TESHIMA ART MUSEUM GOODS、BENESSE ART SITE NAOSHIMA
- KYOTO CITY ZOO／R&E BOUROULLEC EXHIBITION／ROSETSU NAGASAWA BLANKET ほか｜2014〜2023｜Client: Kyoto City Zoo (produced by Benesse Holdings), MAGIS JAPAN and others｜Public institution / company｜Publications for a city zoo, exhibition signage for a furniture brand, museum-related goods｜Evidence C｜Record (Japanese)｜KYOTO CITY ZOO、R&E BOUROULLEC EXHIBITION、ROSETSU NAGASAWA BLANKET DESIGN
Collaboration types and client scale: Collaboration. Japanese version: 日本語.